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出 处:《河北科技师范学院学报(社会科学版)》2008年第1期16-19,共4页Journal of Hebei Normal University of Science & Technology(Social Sciences)
摘 要:《孤独的割麦女》和《惠安女子》两首诗歌分别呈现出一"动"一"静"的画面,虽然两者在文本表达上存在诸多差异,但主题趋于一致。通过对华滋华斯和舒婷两人的创作背景和生活经历的探讨,不难发现两人的诗歌之所以能达到诗中有画、画中有歌的艺术效果,乃是由于他们对女性都有着深刻的理解与悲悯情怀。The Solitary Reaper and The Women ofHui' an each present a static and dynamic picture, even if there are varieties in the way of expression, the theme tends to be the same. Looking through the background of the two poems and the two poets' life, it' s obvious to see that the two poems are both songs sung for women based on a thorough understanding and sympathy towards them, which contribute to the perfect artistic technique that picture carved in poetry and song in picture.
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