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作 者:周昕[1]
机构地区:[1]江汉大学外国语学院副教授
出 处:《外国文学研究》2008年第2期1-11,共11页Foreign Literature Studies
摘 要:安·瓦尔德曼(1945-),美国当代著名垮掉派、黑山派和纽约派诗人,表演艺术家,积极投身于各种文化活动,美国科罗拉多州布尔德市拿若葩大学杰克·克鲁亚克诗歌学院教授,暑期诗歌写作项目主任,著有40多部诗歌专著、诗集等,主要有《说得快的女人》、《宙斯》(1、2)、《诗之声:论文、访谈与宣言》、《婚姻:一种宣判》、《在从不忧伤的屋子里》、《世界的结构如同泡沫》等。此外,她还独自或与他人合作编辑了众多的文选、诗集,如《垮掉派选集》等。她创立并发展了独特的、极具实验特征的诗歌表演艺术。她居住在纽约和布尔德,却不停地巡游世界各地,从事诗歌的讲学、朗诵和交流。在访谈中,瓦尔德曼教授主要对诗歌表演艺术中的诸多问题进行了阐述,如诗歌表演的特征、诗歌表演中的一些术语、诗人的情感表达、诗人的责任等。与此同时,她还就她的诗学观的发展、她所受的影响和诗学与世界的关系发表了意见。Anne Waldman (1945-), poet, professor, performer, curator, and cultural activist, is the author of over 40 books and small press editions of poetry and poetics, including Fast Speaking Woman, IOVIS ( Book Ⅰ& Ⅱ), Vow to Poetry: Essays, Interviews and Manifestos, Marriage: A Sentence, In the Room of Never Grieve, and Structure of the World Compared to a Bubble. She is also the editor and co-editor of numerous anthologies, including The Beat Book, and co-editor of Disembodied Poetics : Annals of the Jack Kerouac School, The Angel Hair Anthology, and Civil Disobediences : Poetics and Politics in Action. In critics' eyes, she has been an active member of many different "schools" of poetic writing-The Beats, the Black Mountain, the New York School. But she has developed her unique, and experimental style of performing her own writing. She is currently a professor at the Jack Kerouac School of Disembodied Poetics at Naropa University in Boulder, Colorado, a program she co-founded with Allen Ginsberg in 1974, and is the Chair of its Summer Writing Program. She makes her home in New York City and in Boulder, but travels frequently to poetry zones through-out the world. In the interview, she elaborates on issues in poetry reading, covering the features of poetry reading, the clarification of some terms in poetry performing, the disclosure of poets' emotion and passion in reading and the responsibilities of being a poet. Furthermore, she details the development of her poetics, her poetic lineage with others and the relationship between poetry and the world.
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