对沃霍尔作品“无深度”的阐释  

On "No Depth" of Warhol’s Works

作　　者：李姣[1] 

机构地区：[1]河南大学艺术学院,河南开封475001

出　　处：《温州大学学报（社会科学版）》2008年第3期48-52,共5页Journal of Wenzhou University：Social Science Edition

基　　金：教育部人文社会科学研究项目(06JC75011-44004)

摘　　要：波普艺术的代表人物沃霍尔的作品一直倍受关注,但对他的作品意蕴的理解存在偏差。杰姆逊曾认为,沃霍尔的作品是无深度的,他是将之放在文化的视野中来考量。实际上,站在艺术的视角,作为艺术家的沃霍尔所创造出的作品是有深度的。原因在于:一,他的作品是对消费社会语境下人的生存处境的揭蔽;二,他通过看似无深度的制作手段传达了新的艺术理念。Andy Warhol is the spokesman of the POP Art. Different people have different opinions on his paintings. Jameson has a typical discussion. In his opinion, there is no depth in Warhol＇s paintings. He just uses the culture view to measure it. In fact, Warhol＇s paintings have depth. Because, the first, his paintings uncovered the place of the people who lived in the consumed society. Secondly, he uses the technology measures to convey the new ideal of the art.

关 键 词：沃霍尔 无深度 消费社会 符号 揭蔽 

分 类 号：J022[艺术—艺术理论]