作为一个文学事件的诺贝尔文学奖--诺贝尔文学奖四人谈  

The Nobel Prize in Literature:as a Literary Event

作　　者：王晓路[1] 潘纯琳[2] 肖庆华[3] 蒋欣欣[4] 

机构地区：[1]四川大学985文化遗产与文化互动创新基地 [2]成都信息工程学院社会科学系 [3]四川大学文学与新闻学院,四川成都610064 [4]湘潭大学外国语学院,湖南湘潭411105

出　　处：《西南民族大学学报（人文社会科学版）》2008年第3期129-135,共7页Journal of Southwest Minzu University(Humanities and Social Sciences Edition)

摘　　要：文章作者认为,诺贝尔文学奖对20世纪以来的文学乃至文学研究的重大影响之一在于:它使得文学彻底地事件化了,而其源头就是诺贝尔文学本身的被事件化。本文以四人谈话形式,分别论述了诺贝尔文学奖被事件化之后的种种表现及其特征:一、消费导向的共谋性;二、消费导向的消解性;三、消费导向的时尚性;四、消费导向的猎奇性。同时,这一事实也再一次证明了诺贝尔文学奖存在的价值。The Authors consider one of the most important influences about the 20th century literature and literary study by Nobel Prize in Literature lies in the fact that it makes literature eventuate completely. In a form of four-people conversation by writing,this paper describes all sorts of phenomenon and characteristic after the eventuation of Nobel Prize in literature. They are the consume-led collusion,the consume-led deconstruction,the consume-led fashion and the consume-led novelty. Behind the fact,Nobel Prize in Literature still holds its unique value.

关 键 词：诺贝尔文学奖 文学事件 事件化 消费文化 多丽丝·莱辛 托尼·莫里森 

分 类 号：I106[文学—世界文学]