“兴”与艺象表达  

Reaction to artistic image and artistic expression

作　　者：何平[1] 

机构地区：[1]东南大学人文学院,江苏南京210096

出　　处：《东南大学学报（哲学社会科学版）》2008年第3期58-62,共5页Journal of Southeast University(Philosophy and Social Science)

摘　　要："兴"作为艺象表达是审美心理的自然转进,是审美主体自主、自由的游戏般自我体验、自我观照与自我呈现过程。这种富有审美特性的艺术表达方式,帮助艺术家超越创作过程中的障碍,消解了艺术创作过程中主客观对立、形式内容对立对艺象本真性的歪曲和遮蔽,使物象透过艺象澄明地呈现出来,形成"不隔"之境。意象建构和艺象表达在审美创造的心理和表达两个层面上,共同勾勒出"兴"这个传统美学范畴的完整内涵。Reaction to artistic image as the artistic expression is a natural development of aesthetic appreciation,which presents the process of the subject's free and game-like self-experience,self-cognition and self-realization.This unique artistic expression characterized by aesthetic appreciation helps the artist transcend obstacles in artistic creation,eliminating the wrong presentation and obscurity of true artistic image rooting in the contradiction between subjectivity and objectivity so as to present the object clearly through the artistic image.

关 键 词：“兴” 审美心理 意象 艺象 

分 类 号：J01[艺术—艺术理论]