中国古代文学批评中的政教审美原则论  

On The Theory of Aesthetic Principles of Political Teaching in Ancient Chinese Literary Criticism

作　　者：邱美琼[1] 胡建次[1] 

机构地区：[1]南昌大学中文系,江西南昌330031

出　　处：《辽宁师范大学学报（社会科学版）》2008年第4期84-87,共4页Journal of Liaoning Normal University(Social Science Edition)

基　　金：国家社会科学基金资助项目(07czw001)

摘　　要：我国古代文学批评中的政教审美原则论,主要体现在三个维面:一是诗歌理论批评对政教审美原则论的阐说;二是词学理论批评对政教审美原则论的阐说;三是散文理论批评对政教审美原则论的阐说。上述三个维面,其论说的内容都主要围绕中和之美、微婉合度、温柔敦厚等论题加以展开。它们相互生发、相互共构、相互融通,共同构建出了我国古代文学批评政教审美原则论的骨架。The theory of aesthetic principles of political teaching in ancient Chinese literary criticism mainly embody in three aspects： one is interpretation from the theoretical criticism of poetry; the other is explaining from the theoretical criticism of Cipoetry; the third is explaining from the theoretical criticism of prose. The above-mentioned three aspects are mainly around the topic such as beauty of counteraction, a degree of tiny and gentle suiting, tenderness and good-nature. They produce each other, compose each other, melt into each other and jointly compose the framework of the theory of aesthetic principles of political teaching in ancient Chinese literary criticism.

关 键 词：古代文学 政教之论 审美原则 维面 阐说 

分 类 号：I206.2[文学—中国文学]