“重道”与“重情”——从谢灵运到谢月兆看南朝文学批评意识的嬗变  

On Valuing "Dao" and Valuing "Feeling"——The Evolution of Literary Criticism Consciousness from Xie Lingyun to Xie Tiao in Southern Dynasty

作　　者：李艳敏[1] 

机构地区：[1]安徽财经大学文学与艺术传媒学院,安徽蚌埠233041

出　　处：《南京理工大学学报（社会科学版）》2008年第3期25-28,共4页Journal of Nanjing University of Science and Technology：Social Sciences

摘　　要：谢灵运的山水诗以求悟玄理为审美指归,其山水形象多客观性,缺乏完美的意境;谢朓则超越了单纯的悟道,追求人情美与自然美的契合,其山水形象主观情意较浓,重视意境的创造,以审美创造为指归。由此可见南朝文学批评意识从逐步淡化社会功能到追求美学价值的轨迹。Xie Lingyun＇s poems aim at understanding and the metaphysical, the images in landscape poems lacking objectivity and artistic mood. Xie Tiao surpasses the pure understanding, seeks the combination of the beauty of human feelings and the beauty of nature, the images rich in objective feelings, the artistic mood aesthetic creation more emphasized. Hence we can see the track of the literary criticism consciousness of Southern Dynasty from the gradual lessening of social function to the pursuit of aesthetic value.

关 键 词：谢灵运 谢脁 山水诗 审美意识 

分 类 号：I206.2[文学—中国文学]