从大小谢对诗歌的追求看南朝文学批评意识的演变  

"Highly valuing a road" and "highly valuing feeling" looking at the Southern Dynasties literary criticism consciousness from Xie Lingyun

作　　者：李艳敏[1] 

机构地区：[1]安徽财经大学文学与艺术传媒院中文系,安徽蚌埠233041

出　　处：《阜阳师范学院学报（社会科学版）》2008年第3期20-22,共3页Journal of Fuyang Normal University：Social Science Edition

摘　　要：谢灵运的山水诗以求悟玄理为审美指归,其山水形象多客观性,缺乏完美的意境;谢则超越了单纯的悟道,追求人情美与自然美的契合,其山水形象主观情意较浓,重视意境的创造,以审美创造为指归。由此可见南朝文学批评意识从逐步淡化社会功能到追求美学价值的轨迹。Xie Lingyun＇s scenic poem returns to in an attempt realizing profound theory for appreciation of the beauty finger, whose much landscape image objectivity, consummate artistic conception of insufficiency; Xie Tiao, I have exceeded simple realizing the truth then, agreement running after human feelings US and natural beauty, whose subjective landscape image affection returns to comparatively dense, taking the artistic conception be created by seriously , being created by with appreciation of the beauty for the ringer, it can be seen from it that the Southern Dynasties literary criticism is aware of the trajectory being worth from weakening the society function step by step to running after an aesthetics.

关 键 词：谢灵运 谢朓 山水诗 审美意识 

分 类 号：I207.2[文学—中国文学]