“色”与“空”——明清艳情小说中的宗教观念和世俗生活伦理  

The Lust and Emptiness ——The Religionary Concept and Temporal Ethic in the Erotic Fictions in Ming and Qing Dynasties

作　　者：李明军[1] 

机构地区：[1]中国人民大学文学院,北京100872

出　　处：《临沂师范学院学报》2008年第2期52-56,共5页Journal of Linyi Teachers' College

摘　　要：明清艳情小说以扭曲的形态反映了欲望横流的时代风气,另一方面又以近似寓言的形式表达了对色和空的理解。混同三教的似是而非的出世,实际上体现了男性作者对欲望横流的世界的难以割舍。在启悟者缺位的情况下,本应为由色到空转换链条的因果报应成了男性中心的理念表达。对现世报应的强调,固然是现实责任的承担,但是缺少了因果轮回,男性纵欲的果报由女性承担,已从根本上背离了倡导众生平等的佛教观念和因果报应的主旨。Erotic fictions in Ming and Qing Dynasties reflected time vogue of camalism with anamorphic forms. They expressed comprehension to lust and emptiness in the form of allegory. The specious thought of surpassing the world resulted from syncretism of Buddhism, Taoism and Confucianism embodied men＇s infatuation with the flesh and blood in nature. With the absence of mentors, comeuppance which was originally important chain from lust to emptiness became the expression of the male-centered conception. The emphasis on retribution in life embodied realistic responsibility. But the absence of metempsy- chosis made the females take on the comeuppance resulting from the male＇s lechery. This is a deviation from the idea of Bud-dhism that all flesh are equal and the major idea of comcuppance.

关 键 词：艳情小说 色空 三教混同 出世 因果报应 性别政治 

分 类 号：I242[文学—中国文学]