北宋词中情与景的交融趋向与词境的升华  

The Trend of the Combination of the Emotion and the Context in Song Dynasty and the Distillation of the Context of the Words

作　　者：魏学宏[1] 

机构地区：[1]甘肃社会科学院信息化研究所,甘肃兰州730070

出　　处：《铜仁学院学报》2008年第3期45-49,共5页Journal of Tongren University

基　　金：国家社科基金专项资助西部地区研宽项目"从人与自然关系的嬗变看意境型诗歌的生成和流变"课题成果(批号:04XZW002:结项号:20070191

摘　　要：在诗歌的发展进程中,人们先是对情与景的融合有了一定的理论认识,然后在创作实践中才转向作品内情与景的融合,而对作品内情与景融合的认识经过了一个景物的工具化、时象化、主体化三个阶段以及三者与其他各种手法兼容并包的相应变化不断深化发展、逐步完善、最终才走向成熟的过程,情与景的交融又恰在于主客间的彼此交融,景物的主体化使诗词境中的情景交融成为可能,并使诗词的意境达到空灵蕴藉的高度.When people create the poems, firstly, they have the theoretical knowledge of the combination of the emotion and the context, and then, they integrate the emotion with the context. The cognization of the combination is a developing process that includes three steps, making something they describe as a tool, an object and a center to create, and meanwhile, using all kinds of rhetorical device. The union of the emotion and the context is the interaction between the authors and the objects they describe. The objects they describe are the center that makes the combination possible, and also makes the mood of poems attain the poetic flavor.

关 键 词：北宋词 情与景 主体化 词境 

分 类 号：I207.23[文学—中国文学]