两宋士人的书卷精神与山水画的审美取向  

The Spirit of Scholars and the Aesthetical Trend of Landscape in the Song Dynasty

作　　者：付红妹[1] 霍素君[2] 

机构地区：[1]沧州师范专科学校中文系,河北沧州061001 [2]河北师范大学学报编辑部,河北石家庄050091

出　　处：《河北学刊》2008年第4期237-240,共4页Hebei Academic Journal

摘　　要：两宋时期实行的右文政策和科举制度的完善、书院教育的兴盛、士人关注内心生活的价值取向等,为士人们书卷精神的形成提供了强大的时代背景。书卷精神典雅脱俗的审美品质渗透进士大夫们的生活,作用于他们的文化素养,成为他们审美活动的总体氛围,进而影响到他们对美的创造与欣赏。而作为时代审美主体的士大夫的艺术创造与欣赏的倾向,自会影响时代的审美思潮。于是,在士大夫书卷精神的影响下,宋代山水画呈现出诗化的倾向,在意境层面实现了与诗歌的相通。In the Song dynasty rulers supported literary policies and imperial examinations, so gardens for study rose greatly, which is the background for scholars to have their own spirit. And this spirit of elegance and aesthetics came into the life of scholars, thus influencing their landscape and appreciation. Under this influence, landscape in the Song dynasty has poetical nature and can communicate with poems in the realm of conception.

关 键 词：宋代士人 山水画 书卷精神 

分 类 号：J212[艺术—美术]