毕加索的中国知音——浅谈中国民间剪纸与毕加索立体主义绘画中的直觉思维  

Picasso's Bosom Friend——About the Intuition Thinking in Chinese Folk Paper-Cuts and Picasso's Cubism

作　　者：刘流[1] 张展[2] 

机构地区：[1]南京航空航天大学金城学院机电学院,江苏南京211156 [2]东南大学信息科学与工程学院,江苏南京210096

出　　处：《南京航空航天大学学报（社会科学版）》2008年第2期73-76,共4页Journal of Nanjing University of Aeronautics & Astronautics（Social Sciences）

摘　　要：中国民间剪纸造型中的意象表现和毕加索立体主义绘画风格具有相似之处。两者形成过程虽然不同,创作思维却有其一致性,相通性。即注重直觉思维,将不同视角的同一事物的各个部分或不同事物组合于同一画面,进行多维空间的意象表现。前者是天然浑成的自我状态,后者却是经过不断思考和探索后对传统艺术观念的创新革命。中国古老的民间艺术和西方现代美术才有了奇妙的共同点。There are some similarities between the imago expression of Chinese folk paper-cuts and the arts of Pieasso＇ s cubism. They are similar in creating thinking, though different in the course of forming. They both pay attention to intuition thinking, which combines different things or the different angles of the same th!ng into one picture and makes imago exhibition in multidimensional space. The former is the ego formed by nature; the latter is the innovative revolution of the Chinese traditional culture by continuous thinking and exploration. As a result, Chinese traditional folk-arts and western modem art find common points.

关 键 词：民间剪纸 毕加索 立体主义 直觉思雏 

分 类 号：J045[艺术—艺术理论]