汉魏六朝诗歌中的美人意象与政治托寓  

The Connotative between "Faerie Beauty" with Politics of Han Wei—the Six Dynasties Poetry

作　　者：郭建勋[1] 仲瑶[1] 

机构地区：[1]湖南大学文学院,湖南长沙410082

出　　处：《湖南大学学报（社会科学版）》2008年第4期79-84,共6页Journal of Hunan University(Social Sciences)

基　　金：湖南省社科规划办2007年基金项目(07YBA111)

摘　　要："美人—佳人"是中国古代诗歌中最常见的意象之一,并具有某种原型意象的特性。从屈原楚辞开始,美人意象总是与政治托寓紧密地联系在一起。通过对美人意象内涵继承与演变的分析,可以看出时代政治与社会思潮对此类诗歌的影响。本文试从原始文本出发,探讨汉魏六朝美人意象与政治托寓性之关系,以及本身象喻性的不断淡化,并逐步走向现实化、世俗化这一发展过程。As the most important and common images in Chinese traditional poetry, ＂The faerie beauty＂ was are able to perceive the influnce of politics and society to this kind of poetry. Based on the primitive - text, this thesis try to discuss the trend and inheriting of ＂The faerie beauty＂ with the politics of Han Wei - the Six Dynasties, as well as the ceaseless desalination of self resembles, and the developing process of it＇s realization and despiritualization.

关 键 词：香草美人传统 象喻性 世俗化 

分 类 号：I206.2[文学—中国文学]