《汉书·艺文志》的主旨及其文学影响  

The Purport of Han Shu Yi Wen Zhi and its Literature Impact

作　　者：张朝富[1] 

机构地区：[1]四川大学文学与新闻学院,四川成都610064

出　　处：《海南大学学报（人文社会科学版）》2008年第4期458-461,共4页Journal of Hainan University （Humanities & Social Sciences）

基　　金：四川大学"985工程"文化遗产与文化互动创新基金项目

摘　　要：与汉代经学大一统的学术格局对应,《汉书.艺文志》建立了严密的"载道"体系,"六艺"对其他各略具有规范意义,"诗赋"略的划分使"文学"的类别属性首次得到揭示,其又被划归于"载道"体系当中,使"文"与"经"(道)发生了事实上的联系,奠定了"文以载道"的理论基础。Corresponding to the academic pattern of great unification focusing on Confucian classics, Yi Wen Zhi set up a strict truth-conveying system, in which Six Arts regulated the rest sections. The establishment of Poetry and Prose section confirmed, for the first time, the category attribute of literature ; and being a part of truth-conveying system, Poetry and Prose section brought literature and Confucian classics virtually related and laid the theoretical foundation for ＂literature conveying truth＂.

关 键 词：“宗经” 《汉书·艺文志》 主旨 影响 

分 类 号：I206[文学—中国文学]