中西艺术结合产生的宁馨儿——闻一多新诗理论简论  

Children of Chinese Arts and Western Arts:Comment on Wen Yiduo's Poetry

作　　者：孙璐璐[1] 

机构地区：[1]西北师范大学文学院,甘肃兰州730070

出　　处：《石河子大学学报（哲学社会科学版）》2008年第4期59-62,共4页Journal of Shihezi University(Philosophy and Social Sciences)

摘　　要：针对早期白话诗存在的问题闻一多提出了以"三美"为基础的新诗格律化的主张,来实现新诗形式的规范,这一主张的提出根源于闻一多所持有的"非功利性"的文学自觉,同时他较早地实现了"世界性与民族性"相互统一的文学观念:主张在中国传统文化土地上创作"中西艺术结合后产生的宁馨儿",对于今天的文学依然适用。就总体而言,闻一多的诗论为中国新诗乃至整个中国新文学进行了良好的理论探索。WenYiduo has brought forward the rules and forms of classical poetic composition-relation view of new poetry, standardized new poetry form with ＂three beautiful＂ aesthetics principle as the basis especifically for early free verses written in the vernacular problem. The ideas rooted in its ＂non-utilitarian literature of the aesthetic consciousness and global and national character＂. He probes into traditional Chinese culture in combining Chinese and Western art for the new literature of whole China theoretically.

关 键 词：闻一多 地方色彩 格律诗 三美原则 

分 类 号：I207.25[文学—中国文学]