论中国女性艺术的探索之路  

On the Exploratory Road to Chinese Female Art

作　　者：刘坚[1] 刘新华[1] 

机构地区：[1]湖南科技大学艺术学院,湖南湘潭411201

出　　处：《湖南科技大学学报（社会科学版）》2008年第5期86-88,共3页Journal of Hunan University of Science and Technology(Social Science Edition)

基　　金：湖南省教育厅资助课题(07C312)

摘　　要：20世纪60年代末,随着"男性主义"的衰落,在西方艺术领域出现了一个全新的艺术流派——女性主义。她们以独特的视角观察生活和世界,运用多种多样的材料、媒介和手法表达自己的感受和心理。她们除了做好女儿、妻子、母亲之外,更把自己作品的触角,伸及到当代社会最迫切、最敏感、最丰富多彩的领域。她们采取积极肯定的态度,带着女性的经验特点,对文化生活的现状进行一定的意识批判,对"真实"有极强烈的亲和感,以各自不同的视角强调着个体经验的重要意义,对现代主义和后现代主义艺术的诞生做出了重大贡献。At the end of the 1960s, with the decline of masculinism, a completely new artistic school called feminism appeared in the West. Women observe life and world from a unique perspective and use various material, medium and techniques to express their own feelings and emotions. They extend their works to the urgent, sentimental and colorful part of today＇s society besides being a good daughter, wife and mother. They hold positive attitude towards the current cultural life to have critical awareness with the characteristics of female experience. They have a strong intimacy towards ＂truth＂, emphasizing the important significance of individual experience from their different angles, making a great contribution for the birth of modernist and postmodernist art.

关 键 词：女性艺术 个体经验 性别体验 

分 类 号：J01[艺术—艺术理论]