文艺的人民化与人民的文艺化——毛泽东人民文艺观刍议  

Popularization of Art and Literariness of People:Discussion of People's Literary Thought by Mao Tsetung

作　　者：杨晓平[1] 

机构地区：[1]西南政法大学政治学院,重庆400031

出　　处：《西南政法大学学报》2008年第4期125-135,共11页Journal of Southwest University of Political Science and Law

摘　　要：毛泽东的文艺观是毛泽东思想的重要组成部分,如何解读毛泽东文艺观的本质特征和中国化特色,是一个耐人寻味的课题。毛泽东的文艺观其实质是人民文艺观,这一文艺观以历史唯物主义的人学和文艺学为指导,透彻地分析了中国社会人民大众与文艺的关系,提出人民是文艺的主体,阐述了文艺的人民化和人民的文艺化,把人民了解、学习、掌握和占有文学艺术纳入人民解放事业,指明了人民及其文学艺术的前进方向。人民文艺观与人民革命观、人民战争观和人民大生产观等,共同谱写了毛泽东思想这一中国化的马克思主义隽永诗篇。The literary and artistic thought of Mao Tsetung is an important part of Maoism which could help us comprehend the substantive characteristics of Mao＇ s literary thought. And this is a meaningful and thoughtprovoking question for discussion. Mao＇s literary thought is people＇s literary thought in nature, which elabo- rates the relationship between the Chinese people and literature and art, puts forward that people is the main body of literature and art, according to the historical materialism. The thought also brings the mastery of litera- ture and art into the liberation of people, which aids the progress of both people and literature and art. People＇ s literary thought and revolutionary thought, military thought and productive thought etc. , together compose Maoism which is the Sinieized Marxism.

关 键 词：毛泽东 人民 文艺理论 

分 类 号：A841[哲学宗教—马克思主义哲学]