新怨恨理论在文学研究中的发现  

The New Resentment Literature's Discoveries in Literary Research

作　　者：王明科[1] 

机构地区：[1]江西师范大学文学院当代形态文艺学研究中心,江西南昌330022

出　　处：《廊坊师范学院学报（社会科学版）》2008年第4期11-16,共6页Journal of Langfang Normal University(Social Sciences Edition)

基　　金：江西省高校人文社会科学青年基金项目阶段性成果(WX0705)

摘　　要：重读中国现代文学作品,发现怨恨是其最基本的现代性体验模式。继刘小枫在神学与社会学学科以及王一川在近代中国文学领域的研究之后,笔者将怨恨题域引入和推进到中国现代文学的整体研究中。怨恨的发明并不在于舍勒,无论中国现代性体验的存在有多少,但其深层的核心母题是怨恨,中国现代文学的怨恨与外国文化中的怨恨有着很大不同,与中国古代文学的怨恨则有着很大的渊源关系,然而自鲁迅开创了现代怨恨主题后,中国文学的怨恨已经具有很多不同于古代的现代性特征。Rereading Chinese modern literature, we can find that Resentment is its modem and basic experience mode. After Liu Xiaofeng＇s study of mythology and sociology and Wang Yichuan＇s study of Chinese contemporary literature, the author tries to intreduee the resentment theory into the overall study of Chinese modem literature. The source of the resentment theme is not from ScheUer. The underlying motif is resentment in Chinese modem experience. Resentment in Chinese modem literature, different from that of foreign literature, is closely related to the resentment of ancient Chinese literature. After Luxun started Chinese modem resentment theme, the resentment of Chinese literature has taken on many characteristics different from the ancient time.

关 键 词：新怨恨 体验 中国现代文学 

分 类 号：I0[文学—文学理论]