超越死亡的文学——从超越死亡的视角对川端文学的探究  

The Theme on Transcendence of Death——The Study on Kawabata Yasunari’s Theme From the View of Transcendence of Death

作　　者：商雨虹[1] 孟庆枢[2] 

机构地区：[1]吉林大学公共外语教育学院,吉林长春130012 [2]东北师范大学文学院,吉林长春130024

出　　处：《东北亚论坛》2008年第5期123-128,F0003,共7页Northeast Asia Forum

基　　金：国家十一.五社科基金项目“日本当代文学纪事”(06BWW009)

摘　　要：对死亡的关注以及“超越死亡”的文学理念是一条时粗时细的线，贯穿了川端整个的文学创作。川端早期作品中对死亡的抵抗意识的流露、新感觉派时期的“万物一如、轮回转生”思想的提出、战争期间作品中对人类生命价值的纯粹的追求、战后的“回归传统”与“进入魔界”以及获诺贝尔文学奖后的对日本文化的宣扬，这一切都从不同的角度体现了川端的“超越死亡”的文学理念。正是透过川端的这一文学理念，我们发现表面上对现实与人生毫不关心的川端文学，实际上对现实和人生乃至对社会有着强烈的关照。Life and death is an eternal concern of human beings and this topic is developed to the fullest extent in the works by Kawahata Yasunari, which is also what the charm of his works lies. In the research on Kawabata Yasunari in both Japan and China, the discussion about his theme of life and death has been widely touched upon, however, not many researchers have performed their research from the perspective of＂ ＂the transcendence of death＂＂ , which will be the point of view of this paper. This specific perspective will reveal more fully his heartfelt concern about social problems and his ultimate devotion to human life problems. Further more, it is realized that the complex, relationship exists between the real life and the theme of Kawahata Yasunari. It is favorable to correeting on only one side of polities and his theme breaking away from the reality

关 键 词：超越死亡 纯粹 回归传统 进入魔界 民族美的创造 

分 类 号：I313.094[文学—其他各国文学]