朦胧诗与第三代诗比较论  

A Comparison between Misty Poetry and Third-generation Poetry

作　　者：于沐阳[1] 

机构地区：[1]延边大学人文学院,吉林延吉133002

出　　处：《晋阳学刊》2008年第5期116-121,共6页Academic Journal of Jinyang

摘　　要：朦胧诗与第三代诗是20世纪80年代中国文学两个最重要的诗歌现象;精英意识感召下的忧患意识与批判精神是朦胧诗的主要价值取向,第三代诗则以鲜明的世俗关怀指向坚持平民立场与平民叙写;朦胧诗常常将个人化的"小"我附着在具有着政治、历史、文化内容,象征民族精神、时代精神的"大"我之中,而第三代诗则重在表现个体人的生命体验;朦胧诗通过各种修辞手段,构建了充满隐喻、象征意义的意象世界,第三代诗则将口语的运用推向了极致;朦胧诗奠定了新时期之初中国文学的基调,第三代诗则彻底改变了中国当代文学的精神向度。Misty Poetry and third-generation poetry are two important poetry phenomena in 1980s＇ Chinese literature. Awareness of unexpected development impelled by elite consciousness and critical drive are the main value orientation of misty poetry, while the third-generation poetry shows worldly solicitude and persists in a populace position and narration; Misty Poetry always endues the personal ＂little＂ I attached to ＂great＂ I which possesses political, historical and cultural sense, signifying a national spirit and time spirit, while the third-generation poetry centers on representing the individual life experience; Misty Poetry tries every figure to construct a image world which is full of metaphors and symbolization, while third-generation poetry uses spoken language to the superlative degree; Misty Poetry establishes the basic tone of Chinese literature at the beginning of the new period, while third-generation poetry totally changes the spiritual pursuit of contemporary Chinese literature.

关 键 词：朦胧诗 第三代诗 精英意识 世俗关怀 意象 口语化 

分 类 号：I226.2[文学—中国文学]