《新乐府》之创作理念新说  

A Study of the Educational Ideas when Bai Juyi Wrote New Yue Fu

作　　者：梁海燕[1] 

机构地区：[1]北京大学中文系,北京100871

出　　处：《沈阳师范大学学报（社会科学版）》2008年第5期54-59,共6页Journal of Shenyang Normal University(Social Science Edition)

基　　金：北京市哲学社会科学"十五"规划课题(03BJBWY033);北京市教委重点项目(XZ200310028005)"<乐府诗集>研究"

摘　　要：在白居易心目中,训俗化下与劝谏君主同样重要,《新乐府》在创作实践上体现了诗人"劝上"与"化下"并重的政治理想。这两类作品的存在,皆本于白居易以"风教-采诗"为核心的政治教化观念。《新乐府》之大量采用三七杂言体的现象也可从这一角度得到进一步解释。Through writing New Yue Fu, Bai expressed his political ideal that advising upward and discipliningdown were equal important.The two kinds of poems were based on his political ideology of civilization, core of which is ＂Feng jiao——Cai shi＂. From this point of view, we can also get further interpretation why Bai used so much three or seven characters.

关 键 词：新乐府 风教 采诗 三七杂言 

分 类 号：I207.22[文学—中国文学]