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作 者:韩晖[1]
出 处:《广西师范大学学报(哲学社会科学版)》2008年第4期31-38,共8页Journal of Guangxi Normal University(Philosophy and Social Sciences Edition)
基 金:广西"人文强桂工程"项目"文选研究"(桂科软05111001)
摘 要:萧统对赋的体认是严格的,他判断一篇作品是否为赋,依据的是作品题目是否称"赋",这最符合作者原创之意的判定,当然也是狭义的理解。他将骚、颂、七、对问、设论等前人多与赋混用的文体与赋分体独立,各严其域,这有继承前代和同代理论家文体观念的方面,也有他个人的独立思考和发展。Xiao Tong is very strict in delimiting fu. In his eyes, whether a work is fu or not is judged by whether its title contains the word 'fu'. This judgment, which is in exact accordance with author's writing purpose, is of course a narrow understanding of fu. His idea of delimiting of fu is an inheritance of previous and contemporary literary theorists and also the result of his own individual thinking.
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