明代格调论诗学“格”、“调”、“情”的内涵  

One Style Poetics in Ming Dynasty:"Form","Melody","Emotion"

作　　者：池小花[1] 

机构地区：[1]华侨大学文学院,福建泉州362021

出　　处：《重庆交通大学学报（社会科学版）》2008年第5期85-88,共4页Journal of Chongqing Jiaotong University:Social Sciences Edition

摘　　要：格调论至少包括三方面的重要内容,即:"格"、"调"、"情"。它既求"格",又始终突出强调"调",并将"调"作为内在情感的外在显现,从而进一步揣摩声调与内在生命的关系,将"格"、"调"、"情"三者有机融合,构建起形式与内蕴之间的联系,使中国诗学的传统精神真正得以延续。In Ming Dynasty, style poetics includes at least three important elements： ＂form＂, ＂melody＂, ＂emotion＂. Seeking ＂form＂, highlighting ＂melody＂, and taking ＂melody＂ as the external expression of the internal feelings, the style poetics further understands the relationship between the tune and the inner life. The organic integration of the three and the construction of the linkage between the form and the connotation make great contribution to the real continuity of the spirit of the Chinese poetics.

关 键 词：格调论 格 调 情 

分 类 号：I222.7[文学—中国文学]