从身体到精神的解放——解析博亚尔的戏剧诗学  

Emancipation from Flesh to Soul:An Analysis of Augusto Boal's Dramatic Poetics

作　　者：李时学[1] 

机构地区：[1]集美大学文学院,福建厦门361021

出　　处：《集美大学学报（哲学社会科学版）》2008年第4期72-78,共7页Journal of Jimei University：Philosophy and Social Sciences

基　　金：教育部人文社会科学基金项目"西方戏剧理论史"(03JB760003)阶段性成果

摘　　要：著名的巴西左翼戏剧理论家奥古斯多.博亚尔创立的"被压迫者诗学"继承了自皮斯卡托、布莱希特以来西方左翼戏剧理论传统,在意识形态上接受了西方"新左派"的影响,在戏剧美学上融合了后现代理念。它是一种建立在左翼一贯的反叛精神与革命性基础之上的行动的、解放的诗学;追求被压迫者在身体和精神上的全面解放;强烈的左翼色彩,使它具备了独特的戏剧美学价值和意识形态意义。The Poetics of the Oppressed, established by the celebrated Brazilian left - wing theoretician Augusto Boal, is built on the tradition of Piscator, Brecht and other left - wing theatrical artists. Its ideology is new - left, its aesthetics is postmodern, its poetics is rebellious, revolutionary and liberating, and its purpose is the emancipation of both the soul and the flesh of the oppressed class. The strong sense of left -wing movement helps to establish its unique aesthetic and ideological values.

关 键 词：被压迫者诗学 左翼 行动 反叛 解放 

分 类 号：I01[文学—文学理论]