诗的个人性与普视性  

The Individuality and Universality of Poetry

作　　者：蒋登科[1] 

机构地区：[1]西南大学中国诗学研究中心,重庆市400715

出　　处：《西南大学学报（社会科学版）》2008年第6期22-27,共6页Journal of Southwest University(Social Sciences Edition)

基　　金：教育部人文社会科学规划项目"朦胧诗后中国新诗的精神缺失与精神重建研究"(06JA75011-44034);项目负责人:蒋登科;重庆市重点文科基地研究项目;重庆市教委社科基金项目"中国新诗的精神重建研究"(04JWSK197);项目负责人:蒋登科

摘　　要：诗是依靠个人创造的艺术,但不是个人化的艺术。诗歌的艺术取向、审美价值往往取决于诗人的艺术姿态,具体说,就是对待个人和群体、内在与外在的态度问题。优秀的诗歌往往是通过个人抒写群体,通过内在关注外在,形成具有延展意义的普视性。诗人的高贵、高雅,诗的境界,均由此而生。Poetry is an art based on individual creation but not art of individuality. The artistic orientation and aesthetic value of poetry often depend on poets＇ artistic＇ attitudes, or more specifically, the attitudes towards individual and the mass, the internal and external. The excellent poems often express feelings of the mass through individual thinking, forming universality of extending characters, thus creating poets＇ majesty, elegance and the realm of poetry.

关 键 词：个人性 普视性 琐屑化 私人化 审美化 

分 类 号：I207.25[文学—中国文学]