《山雨》新论——从文学史、文化史、思想史的视角切入  

A New concept on Mountain Rain——From the perspective of literary,cultural and ideological history

作　　者：刘增人[1] 

机构地区：[1]青岛大学文学院,山东青岛266071

出　　处：《泰山学院学报》2008年第5期5-11,共7页Journal of Taishan University

基　　金：国家社科基金项目(05BZW030)

摘　　要：王统照的《山雨》,不但具有明确的创作意图,涂绘出多姿多彩的人物画廊,而且描摹了浓郁的北国民俗画卷,营造出凝重浑厚的美学风格,在国难当头的关键时刻,率先敲响民族危难的警钟,所以,在中国现代文学史、文化史乃至思想史上,都具有不可替代的重要意义。The ＂mountain rain＂ of Wang Tongzhao, not only has a clear intention of the creation, drawing a colorful characters galleries, but also depicts the rich folk picture of northern China, creating a dignified aesthetic style. It warned firstly at the critical moment of national crisis. Therefore, in modern Chinese literary history, cultural history , and ideological history, it plays an irreplaceable part.

关 键 词：王统照 《山雨》 文学史 文化史 思想史 

分 类 号：I207.4[文学—中国文学]