中国文论现代性的起点及预示之难题  

Problems Concerning the Origin and Prospects of the Modernity of Chinese Literary Theory

作　　者：林衡勋[1] 

机构地区：[1]湛江师范学院人文学院,广东湛江524048

出　　处：《湛江师范学院学报》2008年第5期45-49,共5页Journal of Zhanjiang Normal College

基　　金：湛江师范学院人文社会科学研究项目(W0603)

摘　　要：中国文论现代性的起点不是学界确认的一个,而是二个:一是以王国维为代表的艺术审美自由起点;二是以梁启超为代表的文学为社会政治现代性服务的起点。由于中国文论现代性的开端缺乏原创性,存在被迫、被动性与摹仿性,因此,自开端就预示着会产生三大难题,这就是:中国文论现代性没有自己的精神家园,是一种没有以"通"为前提的"变",以及缺乏一个整体性的现代性生态平衡环境。解决这些难题的根本途径,一是让中国文论现代性回归自己的精神家园,培育整个中国现代性的生态平衡环境,以确保中国文论现代性为"中国"的;二是充分吸收西方文论现代性的先进成果和经验,以保证中国文论现代性为"现代"的。There is not one but two origins of the modernity of Chinese literary theory. One origin is represented by Wang Guowei＇s aesthetic freedom in art, and the other is represented by Liang Qichao＇s modern social and political service by literature. Since the origin of the modernity of Chinese literary theory lacks creativity and contains passiveness and imitation, it anticipates three difficult problems： no spiritual homeland, no change with communication as its premise, and no integrated and balanced environment. The solution to the problems lies in the return of the modernity to its own spiritual homeland and the construction of China＇s balanced environment so as to insure that the modernity of Chinese literary theory is really Chinese, and in the absorption of progressive achievements and lessons from the west so as to insure that the modernity is really modern.

关 键 词：中国文论 现代性 通变 王国维 梁启超 

分 类 号：I206[文学—中国文学]