泰戈尔泛神论思想与中国诗歌的现代转型  

The Pantheism Thought of Tagore and the Modernization of Chinese Poetry

作　　者：张娟[1] 

机构地区：[1]曲阜师范大学文学院,山东日照276826

出　　处：《华南农业大学学报（社会科学版）》2008年第4期104-107,共4页Journal of South China Agricultural University(Social Science Edition)

摘　　要：泛神论是泰戈尔思想的核心,赋予其观照自然的独特方式,故而诗作具有人与自然融溶合一的浪漫情怀。它在中国的传播,激活了中国诗学传统,促使在反传统以后处于近乎失语状态的"五四"人与传统诗学精神遇和,影响了中国诗歌的现代转型。"五四"人还对泰戈尔泛神论思想主动选择和改造,使之带上反传统、个性解放、平等自由的时代印记。The pantheism was Tagore＇ s dominant ideas, which gave Tagore a distinctive way of viewing the nature, so Tagore＇ s poem assumed the romantic combination of mankind and nature. Its spreading in China activated the Chinese tradition of poetics, urged the new poets of ＂May Fourth＂ to get to know the traditional poetics spirit, thus influencing the modernization of Chinese poetry. Chinese people took the initiative in selecting and altering Tagore＇ s pantheism to make it characterized by anti-tradition, personality liberty, and equality and freedom.

关 键 词：泰戈尔 泛神论 “五四”新诗 

分 类 号：I206.6[文学—中国文学]