论杨慎对宋代诗学的批判  

On Yang Shin's criticism about poetics of Sung Dynasty

作　　者：邓新跃[1,2] 

机构地区：[1]北京师范大学文学院中国语言文学博士后流动站,北京100875 [2]湖南科技大学人文学院,湖南湘潭411201

出　　处：《中国文学研究》2008年第4期16-20,共5页Research of Chinese Literature

基　　金：湖南省社科基金项目"明代诗学理论的文体学研究"(编号:06ZC106);湖南省哲学社会科学重点研究基地"中国古代文学与社会文化研究基地"阶段性成果之一

摘　　要：明代的宋代诗学批评与对唐宋诗风审美风格的不同取向密切相关。杨慎对宋代诗学的批判主要包括三方面:在诗学本体论方面,对朱熹以性理论诗的批判是为了维护诗歌独立于理学之外的主体性;在诗学史方面,杨慎批判宋代杜诗"诗史说",是为了维护诗歌独立于历史之外的体制的纯净;在诗学创作论方面,对宋元以来"近体学许浑"的批判则是为了弘扬诗歌的高古的格调。杨慎对宋代诗学及其流弊的批判,肯定诗歌独立于历史与思想文化的价值与意义,维护了诗歌格调,代表了明代诗学辨体批评的理论高度。Ming Dynasty ＇ s criticism about poetics of Sung Dynasty ＇ s which had been running through the whole poetic criticism process of Ming Dynasty, is closely related to the aesthetic style of the poetry of Tang and Sung Dynasty. Yang Shin ＇ s criticism about poetics of Sung Dynasty mainly includes three aspects： Firstly, on the ontology of poetics, his criticism about Chu Hsi＇ s poetic criticism that explores under the nature is to maintain the entity of poetics that is beyond the Confucian system. Secondly, on the poetic history, his criticism about historical-poet theory of Tu Fu ＇ s poetry is to maintain the pureness of poetics that is beyond historic systems. Thirdly, on the creation theory of poetics, his criticism about the rules and forms poem that was imita- ted Xu Hun who is a representative of it from Sung and Yuan Dynasty is to develop the sacred style of poetics. For short, Yang Shin＇ s criticism about poetics of Sung Dynasty and the evil social practices of it, has affirmed the value of poetry that is beyond history ,thought and culture, maintained the style of poetry, represented the theory level of poetic formal distinctions criticism of Ming Dynasty.

关 键 词：杨慎 宋代诗学 诗学辨体批评 

分 类 号：I209[文学—中国文学]