中国古代花鸟画构图模式的发展演变——再议《韩熙载夜宴图》制作年代  

Development and Evolution of the Composition Pattern of Ancient Chinese Flower-and-bird Painting——Concurrently Discussing the Making Time of Han Xizai’s Evening Banquet(Han Xizai Yeyan Tu)

作　　者：张朋川[1] 

机构地区：[1]苏州大学艺术学院,江苏苏州215123

出　　处：《南京艺术学院学报（美术与设计）》2008年第6期34-42,共9页Journal of Nanjing Arts Institute:Fine Arts & Design

摘　　要：中国花鸟画在形成过程中受到外来文化因素影响,以后逐渐摆脱了装饰性,描绘花卉的样式由全株式变为折枝式,构图形式由对称式为主变为不对称式等多种样式,成为中国绘画中特色鲜明的画种。Chinese flower-and-bird painting had got influenced by foreign cultural elements during its forming process,and later got rid of the quality of decoration.The pattern of flowers changed from depicting a whole plant to depicting a branch,the composition changed from mainly being symmetric to different ways of asymmetric form.Finally it became a special painting type with obvious characters in traditional Chinese painting.

关 键 词：花鸟画 构图模式 发展演变 

分 类 号：J205[艺术—美术]