论王闿运对明七子复古体系的重建  

A Study of Wang Kaiyun's Reconstructing System of Restoration of Qizi in Ming Dynasty

作　　者：程彦霞[1] 

机构地区：[1]上海师范大学人文与传播学院,上海200234

出　　处：《辽宁师范大学学报（社会科学版）》2008年第6期113-116,共4页Journal of Liaoning Normal University(Social Science Edition)

摘　　要：王闿运复古承明七子而来,对明七子之理论进行了修正、补充和完善,对明七子"诗必盛唐"的复古门径提出批评,界定汉魏六朝五言古诗为其复古的诗学对象;提出了一套具体完整的诗学方法,解决了明七子的"筏喻"之争;质疑后人讥明七子复古为"优孟衣冠",论述了形神兼似的拟古标准,从理论到实践完成了对明七子复古体系的重建。Wang Kaiyun＇s restoration was sourced from the restoration of Qizi ,which amended and supplemented theories of Qizi in Ming Dynasty. Wang Kaiyun criticized their theory of ＂only poetry of prosperous Tang Dynasty is truly imitated ＂ and defined the poetry in six dynasties in Hanwei as the object of study. He still advanced a complete series of methods of writing poems and solved the contradiction of Qizi about metaphors . At last he defied later people＇s notion that the restoration of Qizi were campared to clothes of actors and discussed the ancient standard of writing poetry as the likeness of form and spirit, which performed the reconstruction of the system of restoration of Qizi in Ming Dynasty both in theory and practice.

关 键 词：王闿运 明七子 复古体系 重建 

分 类 号：I206.2[文学—中国文学]