边缘化生存的呈现和疗救——川端康成与大江健三郎的艳情文学创作  

Marginalization Survival’s Present and Cures:Erotic literature works written by Yasunari Kawabata and Oe Kenzaburo

作　　者：康洁[1] 

机构地区：[1]陕西师范大学文学院,陕西西安710062

出　　处：《日本学论坛》2008年第4期61-66,共6页Japanese Study Forum

基　　金：陕西师范大学校内青年基金项目"从文学人类学看日本的艳情文学传统"的阶段成果之一

摘　　要：川端康成和大江健三郎的创作都体现出对"艳情"这一边缘化言说视角的选择。川端康成以"哀"和"艳"的审美情调把写作视为私人宗教,在虚构和幻想中疗救自我的非常态心理。大江健三郎则以凝重怪异的笔触剥露出社会病态的人格,积极地探究与人类自由健康相关的诸多命题。这种差异和两人的成长经历、性格特点以及哲学观念等的不同有关。Literature works written by Yasunari Kawabata and Oe Kenzaburo manifest the marginalization choice of ＂love＂. Kawabata Yasunari regarded writing as the personal religion by the esthetic affective tone of ＂sorrow＂ and ＂love＂ and cured his self-random abnormal psychology in fantasy. Oe Kenzaburou exhaustedly revealed the social morbid state by the dignifying strange brushwork and positively inquired into many propositions related to freedom and human health. This difference between them is concerned with their different growth experiences, characters as well as the philosophy ideas and so on.

关 键 词：川端康成 大江健三郎 艳情文学 疗救 

分 类 号：I313[文学—其他各国文学]