《中国新文学大系(1917-1927)》对现代文学历史的重构  

On Reconstructing of China New Literature Series for the History of the Chinese Modern Literature

作　　者：邱焕星[1] 

机构地区：[1]青岛大学文学院,山东青岛266071

出　　处：《菏泽学院学报》2008年第6期69-72,共4页Journal of Heze University

摘　　要：《中国新文学大系(1917-1927)》对"中国现代文学"的学科建设,起了决定性的作用。为了在"红色30年代"诉求五四"新文学"的合法性,它通过编纂《文学论争集》否定"旧文学"流派等方式来确证自身的"新文学"观念,但将学衡派这样的现代性矛盾统一体贬为"复古派",暴露了这种二元对立模式的排他性和策略性。《大系》在强化"新文学"观念的同时,割裂了自己和传统的联系,也窄化了"现代文学"观念,遮蔽、重构了现代文学的历史。China New Literature Series made a decisive function in building the subject of the China Modem Literature. In order to set up the legality in the Red 1930th, it confirmed the status of new literature school,negated the old literature schools. But it confused the substance of many schools, such as Xueheng School which is the demonstration of the modernity filled with dualistic contradition. It proclaims that the China New Literature Series breaks the connection off the China literature tradition, narrows the concept of the Chinese Modem Literature and reconstructs the history of modem literature.

关 键 词：《中国新文学大系》 学衡派 新文学 中国现代文学 二元对立 

分 类 号：I206.6[文学—中国文学]