艺术的“祛魅”与大众的舞台——试论本雅明艺术生产理论对中国大众文化研究的启示  

The Art of "Disenchantment" in the Public Arena——On the Inspirations of Benjamin's Art Production to Chinese Research of Popular Culture

作　　者：唐彩云[1] 

机构地区：[1]广西师范大学,广西桂林541004

出　　处：《广东广播电视大学学报》2008年第6期56-59,共4页Journal of Guangdong Radio & Television University

摘　　要：中国大众文化研究中存在的一个突出问题是对大众文化进行精英主义式的批评,然而,以审美主义为价值标准难以挖掘大众文化本身所蕴藏的丰富美学诉求。本雅明的艺术生产理论为中国当前的大众文化研究提供了新的思路和视野。他认为每种艺术样式和审美价值都有其特定的历史文化土壤,我们对待艺术的生存困境与对新艺术形式的评价应在承认客观现实前提下探究和思索,这对中国的大众文化研究颇富启示性。There has been a striking problem in commenting on Chinese popular culture ： explaining the popular culture in elitism. However, the rich aesthetic demands of popular culture are unlikely to be defined by the standard of aestheticism. Benja- min＇ s theory of art production provides a new way of thinking and vision for the Chinese scenario. He believes that each of the style and aesthetic value of art has its specific historical and cultural soil, so the evaluation of art should recognize the reality before it is feasible, which is a revelation to the Chinese, research of popular culture.

关 键 词：审美主义 本雅明 灵韵 大众文化 启示 

分 类 号：I206.7[文学—中国文学]