感性直观——认知困境中的诗性超越——王国维“真景物”之认知及与境界之关系  

Perceptual Visuality——Poetic Surmounting in Cognitive Plight——Wang Guowei’ Cognition of "Real Scenery" and Relations with the Realm

作　　者：张强[1] 

机构地区：[1]集宁师范高等专科学校中文系,内蒙古乌兰察布012000

出　　处：《集宁师专学报》2008年第3期16-21,共6页Journal of Jining Teachers College

摘　　要：王国维说"能写真景物、真感情者,谓之有境界",从认识论角度人类如何才能达到对"真"的认知?"真"与"境界"又有何内在关联?王国维认为,人类一方面受欲望的束缚,另一方面过分地依赖理性认识,因而不能充分认知世界。对"真"的认知,其一,需要在"无我之境"中"物我两忘";其二,需要"闭肉眼而开天眼"、澄怀味象。二者统一于艺术境界,只有在艺术境界中摆脱欲望的束缚、培养感性直觉的心灵,方可"探其本"、认识"宇宙人生之根本问题"。Since Wang Guowei once said that the ＂photo features, true feelings, that the state has＂, how can the human achieve ＂true knowlege＂ in the perspective epistemology？ What＇s the inherent relationship between ＂truth＇and ＂state＂？ Wang Guowei believed that humans couldn＇t cognize the world fully because we are subject to both the restrictions of our desire and too much dependence on rational cognition. One needs to forget about oneself and .objects in an objective world on one hand, and on the other hand, he should restrain himself from subjective ponderation of natural objects. The two are united in the realm of art. Only in the realm of art without the shackles of our desire and developing our emotional intuition, can we develop our understanding of the universally fundamental problems of life.

关 键 词：王国维 认知 直观 真景物 境界 

分 类 号：I01[文学—文学理论]