唯美与道德之间的《道连·葛雷的画像》  

The Portrait of Dorian Gray: Between aestheticism and morality

作　　者：方红[1] 刘茂生[1] 

机构地区：[1]江西师范大学,江西南昌330022

出　　处：《江西科技师范学院学报》2008年第6期79-82,共4页Journal of Nanchang Vocational & Technical Techers' College

基　　金：江西省高校人文社科课题"王尔德唯美主义艺术创作的伦理思想研究"(WX0719)

摘　　要：王尔德在童话创作中始终坚持唯美主义艺术的创作思想,也希望创造出超越道德的唯美艺术形象,但是艺术实践却证明王尔德不仅不能创造出所谓的唯美艺术形象,甚至还在他的创作中体现了某种道德原则。可以说,王尔德的艺术实践在某种程度上违背了他所坚持的唯美主张。童话如此,小说亦然。在小说《道连·葛雷的画像》(The Portrait of Dorain Gray)中,尽管王尔德企图去塑造道连这一唯美的艺术形象,但是我们却发现道连是一个生活在现实社会中的人,他总是和现实社会保持着种种道德联系,他作的恶本身就表明他无法脱离现实道德而存在。Although Wilde wishes to create artistic images transcending morality, his literary practice shows he fails to realize his ideal. To the contrary, his writing is an embodiment of certain moral principles and thus a violation of his aestheticism. His fairy tales well illustrates this, so does his novel. In The Portrait of Dorian Gray, although Wilde tries to shape Dorian as an aesthetic figure, we find him a person living in reality. He is, from the beginning to the end, morally associated to the reality. His evil action itself shows his inseparability from both the reality and morality.

关 键 词：唯美主义 道德 《道连·葛雷的画像》 

分 类 号：I01[文学—文学理论]