贾谊骚体赋对屈原“悲世之风”的解读  

The Interpretation of Jia Yi's Sao-ti Fu to the Atmosphere of World Sorrow by Qu Yuan

作　　者：郭建鹏[1] 郭建辉 

机构地区：[1]长春师范学院,吉林长春130032 [2]河北省昌黎县安山镇实验中学,河北昌黎066601

出　　处：《长春师范大学学报（人文社会科学版）》2009年第1期78-81,共4页Journal of Changchun Teachers Coliege

摘　　要：贾谊因赴湘在空间上开始了中国大一统政治局面贬谪士人精神苦境的历程,与屈原的不期相遇,开启了士人吊屈、悲屈之风。他对屈原的解读,不仅是儒道思想的交锋、融合,更是他对屈原"悲世之风"继承之后的解脱。同时,楚文化在沉寂百年之后因贾谊而再度兴起,并超越历史空间的局限,成为中华民族的精神渊源与文化传统。Jia Yi wen to Xiang,and started the miserable process of degrading the intellectuals＇ mentality under the political environment of the big unit of China. His unexpected meeting with QuYuan, which began the intellectual＇s condolence and sadness toward Qu Yuan. His interpretation of Qu Yuan is not only the fighting and integrating between Confucianism and Daoism, but is also the relief after the inheritance of the Atmosphere of World Sorrow by Qu Yuan. In the meantime, the Chu culture broke the silence which lasted over one hundred years and got prosperous because of Jia Yi, which surpassed the limits of historical space and became Chinese nation＇ s spirital source and cultural tradion.

关 键 词：《吊屈原赋》 《鸟赋》 悲世之风 楚文化 传承 

分 类 号：I207.22[文学—中国文学]