杜甫“行”诗之“变”的音乐涵蕴  

The Music Connotation of the Variation of the Poems of Song Form by Du Fu

作　　者：杨晓霭[1] 

机构地区：[1]西北师范大学文史学院,甘肃兰州730070

出　　处：《聊城大学学报（社会科学版）》2008年第4期49-54,共6页Journal of Liaocheng University:Social Science Edition

基　　金：国家社会科学基金项目(03BZW036):宋代声诗研究

摘　　要：杜甫"行"诗,从篇章到句式改变了初唐歌行的体调特征,独构新格。这一成就的取得,与当时歌舞大曲盛行的文化背景息息相关。基于对音乐的敏感与对"乐府"传统的弘扬,杜甫创作"行"诗,内容上追踪汉魏行曲歌辞讽刺时事的美刺功能,结构上借鉴歌舞大曲多解组合以及行曲"简单而刚健明快"的特点,达到了声律与情感的契合。可以说正是杜甫充分吸收当代歌舞大曲的结构特质与音乐风格,以其"语不惊人死不休"的精神,结构了富于魅力的"行"诗,创造了一个全新的艺术境界,从而为他在诗体发展史上确立了不可动摇的地位。The poems of song form by Du Fu developed it＇ s own unique style by changing the aspect of tones of the poems in early Tang Dynasty from discourse to syntax, which was closely linked with the cultural background prevailed with of song and dance. Based on the sensitive of music and his avocations of tradition of Yue - fu, Du Fu＇ s poetic creation reached integration between rhythm and emotion, that is, tracing parable function of the song poetry in the Hail and Wei Dynasties in content and learning the multiple combination of song and dance and the characteristics of the folk tune in structure. It can be said that Du Fu fully absorbed the structural feature and music style of song and dance at that time, structured the poems of song form and created a new artistic realm, which has helped him to establish an unshakable position in the development history of poetic style.

关 键 词：杜甫 “行”诗 音乐 涵蕴 

分 类 号：I207.22[文学—中国文学]