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作 者:姬准[1]
机构地区:[1]南阳理工学院艺术设计系,河南南阳473000
出 处:《艺术探索》2009年第1期41-42,共2页Arts Exploration
基 金:2007年度河南省哲学社会科学规划项目(项目批准号:2007BZX003)的部分成果
摘 要:南阳汉画像石中,有一些与道教密切相关的精神元素:那些为数不少的西王母形象折射出汉代先民对于理想现世生活的深深迷恋;风、雨、雷等天象体现出先民们对天人关系的感性理解和对未来的憧憬与向往;四方神画像则表达了他们对平安保障的热切希冀。它们反映了东汉人们朴拙、滞重但又不乏生机、坚韧的生存状态。In the long- term process of Taoism evolution, the traditional culture factor manifests in the social life aspects. Through researching on the engraved stones at Nanyang ,we can find many elements which are relative to Taoism : These refract the Han Dynasty ancients for many images regarding the ideal present world life depth deep love ; Celestial phenomenon portrait stone and so on wind and rain thunder manifests the ancients the perception which relates to the beauty to understand and with yearned for to own future expectation; To real life happy fanta- sy; The more commonly used square god portrait expressed them to the safe safeguard earnest hope. These all reflected in the Eastern Han Dy- nasty such special social environment the ancients simple and unadorned, is sluggish but does not lack the vitality, the tenacious survival condition.
分 类 号:K879.4[历史地理—考古学及博物馆学]
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