童年母题的当代书写与意义生成——新时期童年小说的叙事模式及其文化透视  

The Contemporary Writing of the Childhood Motive and Its Meaning-generation:A Cultural Perspective on the Narrative Mode of the Contemporary Childhood Novels

作　　者：沈杏培[1] 

机构地区：[1]南京师范大学文学院

出　　处：《南京师大学报（社会科学版）》2009年第1期155-160,共6页Journal of Nanjing Normal University(Social Science Edition)

摘　　要：在新时期小说中,童年母题得到了丰富而深刻的艺术表现。从叙事特征看,这类以童年为书写对象的童年小说常常包含着"过去—现在"两种时态、"成人—儿童"两种视角;从情感基调来看,温情是这些童年小说的美学特征和情感标识。同时,在童年经验与记忆的诗性回眸中也内含着作家追踪与反思自我人格生成,以及在自我主体性形成中开掘童年所蕴含的人类童年心理及时代因素的文化自觉。In the contemporary childhood novels, the childhood motive has received rich and profound artistic representations and descriptions. From the perspective of narration, novels of this type usually contain the two tenses of ＂the past and the present＂ and the two perspectives of ＂the adults and the children＂ ; from the perspective of emotional tone, these novels are aesthetically and emotionally characterized by tenderness. In addition, the poetic retrospections of the childhood experience embody the authors＇ tracing and reflecting on the formation of their selves and contain a cultural awareness of how to explore the childhood psychology of mankind and the historical factors in the process of the formation of their own subjectivity.

关 键 词：童年 新时期小说 儿童视角 温情 

分 类 号：I207.42[文学—中国文学]