郭沫若史剧人物塑造的性别特征  

Gender Features of Characterization in Guo Moruo's Historical Plays

作　　者：陈鉴昌[1] 

机构地区：[1]西华大学人文学院,四川成都610039

出　　处：《西华大学学报（哲学社会科学版）》2009年第1期31-35,共5页Journal of Xihua University(Philosophy & Social Sciences)

摘　　要：写人即刻画人物性格,是文学的中心任务,也是戏剧的重要工程。女权主义文论主张,写人必须显示性别,人具有"双性特征"。郭沫若是女权主义的赞同者,他的历史剧在塑造人物方面,具有鲜明的性别特征,具体包括两大类,即刻画单性主导型男女人物,刻画双性显著型男女人物。这种以性别为纲刻画人物性格的工作,总体是成功的,也有少量失误。Depicting characters is a key task of literature and play. The feminist literary theory proposes that characters display gender features, despite their ＂double-gender＂ in human. Guo Moruo approves the feminism and creates a number of distinctive charaeters in his historical plays. His characters are portrayed in two categories： one-gender dominant characters, and double-gender characters. This way of characterization based on the frame of genders is mostly successful, except for few failures.

关 键 词：郭沫若 历史剧 人物塑造 性别特征 

分 类 号：I207.3[文学—中国文学]