从二十世纪初意境理论的发展看古代文论的对接和转换  

On Docking and Conversion of Ancient Literary Theory From the Perspective of the Development of the Artistic Conception Theory

作　　者：阮国华[1] 

机构地区：[1]广东技术师范学院,广东广州510665

出　　处：《广东技术师范学院学报》2008年第10期13-19,共7页Journal of Guangdong Polytechnic Normal University

摘　　要：20世纪初的中国面临着历史和文化的大转折,但文艺学领域并未"失语"。古代文论在进行着多元化的对接和转换,仅在意境理论领域便至少有况周颐、梁启超、王国维等人所代表的不同发展趋向。今天,在古代文论的对接和转换已成为一种学者们自觉承担的学术使命的新时期,从意境理论的发展来切入,重新审视和反思20世纪初古代文论的对接和转换的不同倾向、不同结果,可以从中总结出一些具有规律性的东西,可以从中得到殷鉴。In the early 20th century China faced a ma- jor historic and cultural turning point, but there werenot any ‘aphasia’ in the field of art and literature. An- cient literary theory was carrying out a wide range of docking and conversion, in the field of the Artis- tic Conception Theory, Kuang Zhou -yi, Liang Qi - chiao, Wang Guo-wei and others' theory represented a different development trend. Today, the scholars re -examine and reflect on the different tendency and different results of ancient literary theory's docking and conversion in the early 20th century based on the development of the Artistic Theory, we can sum up something regular and learn a good les- son from it.

关 键 词：意境论 对接 转换 殷鉴 

分 类 号：I06[文学—文学理论]