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作 者:刘传霞[1]
出 处:《海南大学学报(人文社会科学版)》2009年第1期84-89,共6页Journal of Hainan University (Humanities & Social Sciences)
基 金:山东省社科规划重点项目(06BWZ016)
摘 要:20世纪80年代初期,有关知识男性与劳动妇女的爱情叙事大量而集中地出现在男作家所创造的文本之中。在这些文本中,美丽温情的女性都是"空洞的能指",知识男性的心灵挣扎与身体历练才是作品叙述的中心。男作家们的创作目的并不在于对劳动妇女这一群体生存与命运的关切,其创作的隐秘动机是治疗男性知识分子的心灵创伤,在主流意识形态的规范之内,建立中国知识男性的自我主体形象,改变知识分子被权力政治边缘化的社会地位,修正知识分子卑琐、不洁、可疑、软弱的"女性"化形象。Man-writers created many love stores between male intellectuals and labour women in early 1980s. Narrative center was spiritual struggles and physical experiences of male intellectuals while beautiful and tender women were shaped as "empty signifiers" in these texts. The internal motivation of man-writers was to cure mental scars in male intellectuals but not to care the life and fate of labour women. They tried to construct subject image of male intellectuals in the rule of main ideology, change their social statUS marginalized by political power, and revise their "female" image which was thought to be bumble, dirty, suspicious, feeble in main ideology discourse during 1950s-1970s.
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