当代生态写作艺术空间开拓的意识倾向性分析  

The Analysis to Awareness of Tendentiousness of Opening up the Art Space to Ecological Writing

作　　者：蔡登秋[1] 

机构地区：[1]三明学院中文系,福建三明365004

出　　处：《三明学院学报》2009年第1期13-17,共5页Journal of Sanming University

基　　金：福建省教育厅A类社会科学研究项目(JA082125)

摘　　要：随着我国生态环境问题的出现,各门学科纷纷涉足这一人类共同关注的主题,文学作为反映社会生活的敏感之纬,也加入生态环境问题的阵营之中。纵观20余年来的生态文学创作界面有着明显的意识倾向性,大致可以归纳为:对环境保护的重视,对我国生态危机提出振聋发聩的警示之音;以艺术审美观念来审视人与自然的关系,表达人与自然的平等和相互尊重的暗含深层生态伦理的观念;带有一定的生态伦理思考的小说创作,但在当今市场经济的商业利益驱动下,致使其创作带有明显的商业化意识倾向。由此,三种意识倾向显示了我国生态写作的困惑和生态艺术空间开拓的难度。As the coming of China＇s ecological environment problems, the subjects have been involved in the theme of common concern of mankind. Literature, as a sensitive section of social life reflection, also joined the camp of the eco-environmental problems. Taking a wide view of ecological literature interface of last 20 years, there was a clear sense of preference, it can be roughly summed up as follows： First, attach importance to environmental protection and raise enlightening voice of warning to China＇s ecological crisis; Second, use the concept of the art aesthetic to examine the relationship between man and nature, express in the concept of Deep Ecological Ethics of man and nature of equality and mutual respect; Third, with a certain degree of ecological ethics thoughts of fiction- but driven by commercial interests in today＇s market economy- with the result that their creativity with a clear awareness of the commercialization of tendency. Thus, three types of eonsei tend to show the confusing of China＇s ecological writing and the difficulty of opening up ecological art space.

关 键 词：生态写作 艺术空间 意识倾向性 

分 类 号：I04[文学—文学理论]