《诗经》与《楚辞》的审美异趣——以神道观念为切入点  

Aesthetic Differences in the Opinion of "God" between The Book of Song and The Songs of Chu

作　　者：何长文[1] 

机构地区：[1]大连民族学院文法学院

出　　处：《北方论丛》2009年第2期14-17,共4页The Northern Forum

基　　金：国家社会科学基金项目--<中国古代宗教的文化潜能在构建和谐社会进程中的地位与作用>(项目编号:06BZJ002)研究成果之一

摘　　要：《诗经》表现出的神道观念具有一种精英文化特质,而《楚辞》则呈现出一种俚俗文化气息;《诗经》所描写的神灵具有崇高性,标志着审美主体的理性成熟,《楚辞》所描写的神灵多有具象,表现出审美主体情感的真挚与酣畅;《楚辞》所表现的神道观念更注重情感的愉悦与失落,而《诗经》所表现的神道观念更注重理性的深化与升华,二者在相同的表现对象上体现出的审美异趣,更为清晰地呈现出各自所代表的文化性征。The Book of Song shows the character of elite culture in the opinion of god, and The Songs of Chu appears civilian culture. The god in The Book of Song has lofty character and it shows the rational growth of aesthetic subject. The god in The Songs of Chu has shun- dant and various character, and appears honesty and sincere of aesthetic subject and it has the opinion of god which puts important on expres- sion and happiness. But The Book of Song pays more attention to the deepening ration and sublimation. The two show not the same aesthetic differences, more clearly express the cultural charter that they represented.

关 键 词：诗经 神道观 楚辞 审美 

分 类 号：I207.22[文学—中国文学]