贲卦美学初探——对中国传统建筑斗拱艺术嬗变的反思  

A Tentative Research into the Aesthetic Idea in Hexagram Bi——A Reflection on the Transmutation of the Art of Dougong in the History of Traditional Chinese Architecture

作　　者：傅志前[1] 

机构地区：[1]山东大学建筑学系,山东济南250061

出　　处：《周易研究》2009年第1期16-21,共6页Studies of Zhouyi

摘　　要：《周易》作为中国传统文化的发端,孕育了中华民族特定的思维方式和审美倾向,对中国古代美学研究和艺术创作产生了深远、持久的影响。贲卦是体现《周易》美学思想的重要一卦,本文在文与质的关系上研究贲卦的美学思想,梳理贲卦美学思想对中国传统建筑的重要符号——斗拱演变历程的影响,探求其对当代中国建筑发展的启示。The Zhouyi, as the origination of traditional Chinese culture, gives birth to the specific Chinese thinking mode and aesthetic tendency, and exerts a profound and far-roaching influence on traditional aesthetic research and artistic creation. Hexagram Bi （Adornment, the 22nd hexagram in the received version of the Zhouy＇i ） is one of the most important hexagrams which reflect the aesthetic ideas in the Zhouyi. By discussing the relationship between the external form and the internal substance, this paper hackles the development of Dougong, the significant symbol in traditional Chinese architecture, with the influence of the idea conceived in hexagram Bi, and tries to search for its illumination to modem Chinese architecture.

关 键 词：贲卦 建筑艺术 美学 斗拱 

分 类 号：B221[哲学宗教—中国哲学] TU-09[建筑科学—建筑理论]