华裔美国人的第三空间身份建构——金斯顿《引路人孙行者:他的即兴曲》的后殖民解读  

Construction of Third Space Identity of Chinese Americans——Postcolonial Reading of Kingston's Tripmaster Monkey:His Fake Book

作　　者：王斐[1] 

机构地区：[1]集美大学外国语学院,福建厦门361021

出　　处：《温州大学学报（社会科学版）》2009年第2期75-80,共6页Journal of Wenzhou University：Social Science Edition

摘　　要：美国华裔作家马克辛·洪·金斯顿在小说《引路人孙行者:他的即兴曲》中就华裔美国人的身份建构以及华裔社群的建设进行了开创性的思考与探索。小说试图创建霍米·巴巴所倡导的"第三空间",运用杂糅的策略打破主流社会强加于华裔的刻板形象,解构文化本质主义,为身处全球化时代的华裔美国人之身份建构开拓一个全新的视野。The Chinese American writer Maxine Hong Kingston gave the nuanced reflection and the creative exploration on the issues of identity in her novel Tripmaster Monkey： His Fake Book. The novel aimed at creating a Bhabhaian Third Space where, by the strategy of hybridity, stereotypes about the Chinese Americans were resisted and broken, and the culture essentialism was deconstructed, which opened up new horizons for discussions on the identity construction of Chinese Americans in the Global Age.

关 键 词：金斯顿 《引路人孙行者:他的即兴曲》 华裔美国人 身份建构 杂糅 第三空间 

分 类 号：I106.4[文学—世界文学]