贝多芬《第二钢琴奏鸣曲》艺术特色解析——以《第二钢琴奏鸣曲》(作品2之2)第三乐章为核心  

Interpretation of the Art Characteristics of Beethoven's Second Piano Sonata——A Case Study on Chapter III of Beethoven's Second Piano Sonata

作　　者：孙祖洪[1] 易希平[1] 

机构地区：[1]曲靖师范学院音乐舞蹈学院,云南曲靖655011

出　　处：《曲靖师范学院学报》2009年第1期117-120,共4页Journal of Qujing Normal University

摘　　要：贝多芬的《第二钢琴奏鸣曲》(作品2之2)是作曲家早期的钢琴作品,该作的第三乐章为谐谑曲。与其大部头作品相比,这首谐谑曲只能算是其作品中不出众的"小品",但这部作品无论从体裁结构还是创作技法上都充分体现了贝多芬早期的音乐创作思想。从本体研究的角度看,该作品在曲式结构、音乐材料发展手法、调性布局等方面,都体现出了鲜明的艺术特色。Beethoven＇ s Second Piano Sonata, Chapter Ⅲ of which is the scherzo, is the earlier works of Beethoven. This scherzo, compared with other works, is not the most famous works. The scherzo, however, demonstrated Beethoven＇ s earlier composing thought with its composing style and skills. The scherzo, analyzed through the perspective of ontology, showed adequate art characteristics with its structure, development and distribution.

关 键 词：贝多芬 谐谑曲 艺术特色 本体研究 

分 类 号：J624.1[艺术—音乐]