论17年历史剧创作中女性话语的形态与特征  

On Form and Feature of the Language of Female Characters in the Writing of Historical Plays in 17 Years

作　　者：温潘亚[1] 

机构地区：[1]盐城师范学院中文系,江苏盐城224002

出　　处：《南京师范大学文学院学报》2009年第1期142-147,共6页Journal of School of Chinese Language and Culture Nanjing Normal University

基　　金：中国第40批博士后科学基金项目(编号:20060400924);江苏省博士后科研资助计划项目(0701029C);江苏省教育厅哲学社会科学基金指导项目(编号:05SJD750015)

摘　　要：建国后17年间的历史剧创作对女性意识的建构和女性话语的言说是由男性史剧家们代言并完成的,这其实就是来自中国古代文人的拟代女性写作传统。男性史剧家们通过历史女性形象曲折隐晦地表白自己在意识形态上的归属和对政治文化权威的臣服,并以之演绎各种流行的政治理念。历史剧呈现出一种双声话语的不协调状态,共同的"类"的特征遮蔽了女性的自然特征,使得对历史女性形象的刻划有明显的公式化与符号化倾向,包括对爱情题材的表现。只有少数史剧家尊重并赋予女性历史人物形象以自己的意识与声音,但较之20、30年代史剧中女性以叛逆姿态的隆重登场,17年间历史剧在女性意识与女性话语的建构上无疑构成了一种断裂。In the 17 years after the founding of our republic, the construction of female consciousness and language of female characters in the writing of historical plays was completed by male writers. It came from the Chinese writing tradition of the male writer representing the female characters. In portraying the historical female images, the male play writer expressed the consciousness of affiliation and the allegiance to political and cultural power in an indistinct way, and added some popular political ideas. The historical plays were in a dis- harmony situation with double -voiced utterance. The same feature of ＂genus＂ covered the nature characteristics of female. Only a few writers respected the historical female images and gave them their own consciousness and voice. However, comparing the historical plays in 1920s - 1930s, the construction of female conscious- ness and language in the plays of the 17 years undoubtedly formed a break in cultural continuity.

关 键 词：17年历史剧 “拟代女性写作” 双声话语 

分 类 号：I207.3[文学—中国文学]