南诏奉圣乐、骠国乐与隋、唐燕乐——西南丝绸之路音乐文化考察研究之二  

Making an Investigation and Study on Nanzhao Fengshenyue,Biaoguo yue and Yanyue in Sui and Tang Dynasties

作　　者：王其书[1] 

机构地区：[1]四川音乐学院,四川成都610021

出　　处：《音乐探索》2009年第1期3-7,14,共6页Explorations in Music

基　　金：教育部人文社会科学研究九五规划项目资助<西南丝绸之路音乐文化考察研究>批准号:98JAQ760008

摘　　要：西南丝绸之路的开通,对我国中央政权与西南少数民族及南亚国家的文化交流有着巨大贡献,特别是《南诏奉圣乐》及《骠国乐》,融合了汉族和西南少数民族艺术的精华,其内容到形式不谛为当时的一种创新。The exploration of the Silk Road in southwest China makes great contributions to the cultural exchange of the central, the national minorities in southwest China and South Asia, especially the Nanzhao Fengshenyue and Biaoguo Yue, which were fine works combining the art style of minority nationalities with its of the Hans.

关 键 词：西南丝绸之路 《南诏奉圣乐》 《骠国乐》 隋唐燕乐 

分 类 号：J609.2[艺术—音乐]